gnarls barkley – run January 29, 2008Posted by KG in hip-hop, music.
Tags: brian burton, cee-lo, danger mouse, gnarls barkley, run, woody allen
The new Gnarls Barkley disc won’t be released until April, but we got the chance to hear a few new cuts early. The verdict: Cee-Lo and Danger Mouse have produced another album of super-catchy tunes that veer between retro-soul shakedowns, tricked-out psychedelic rock and trunk-rattling hip-hop. While nothing sounds as indelible as “Crazy,” the first two tracks that the pair are considering for a lead single are pretty ace: one is a funked-up organ groove complemented by French horns, a chorus of “la la la”s and Cee-Lo crooning in his throaty rasp, “Here it comes/Say it loud!” The other track, which we’re told is the duo’s favorite, is drastically different: a sinister ballad featuring intricately strummed acoustic guitar chords. Cee-Lo’s mood turns dark as he repeats over and over, “Who’s gonna save my soul?/I know I’m out of control.” It’s a stylish, spooky take on Robert Johnson’s delta blues—and even that suits them just fine.
danger mouse quote from old nytimes article:
And even though I am asking him about music, he is talking about movies. “What changed everything was when I got into Woody Allen,” says Danger Mouse, whose real name is Brian Burton. He is sitting on a couch in the Power Plant lounge, eating two different kinds of pizza and drinking Vitamin Water; his legs and arms are folded like a mantis’s. There is a massive flat-screen TV in the room that’s tuned to the TV Guide Channel, but the volume is off. “When I got to college, I saw ‘Manhattan’ and ‘Deconstructing Harry.’ I thought to myself: Why do I relate so much to this white 60-year-old Jewish guy? Why do I understand his neurosis? So I just started watching all of his movies. And what I realized is that they worked because Woody Allen was an auteur: he did his Thing, and that particular Thing was completely his own. That’s what I decided to do with music. I want to create a director’s role within music, which is what I tried to do on this album.”