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rza – you can’t stop me now June 23, 2008

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Double Dee and Steinski – Sugarhill Suite June 16, 2008

Posted by theraisedhand in hip-hop, music, music on monday, Uncategorized.
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another great ?uestlove interview April 23, 2008

Posted by KG in arts/culture, comedy, design, hip-hop, interviews, legal, marketing, media, music, news, radio.
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onsmash:

With less than a week till the release of their 8th (!) masterpiece, Rising Down, OnSMASH linked up with The Roots mouthpiece and unofficial leader ?uestlove to talk about his legendary crew and the state of this art we call hip-hop.

I want to talk about Rising Down right now. From what I’ve been hearing, with the exception of one song [“Birthday Girl”], this record sounds very, very serious, very aggressive, and kind of dark. The last Roots record, I got that kind feeling from like that, was Illadelph Half Life. What was the intent behind this record?

Hip-hop is about as apolitical as it’s ever been. I guess there’s some sort of unsaid science to how we made this record. In order not to come off like we’re on our soapbox we knew that musically this album had to be bangin’. But of course the 2008 definition of bangin’ definitely varies from the 1996 definition of bangin’, but that’s the standard with which we feel most comfortable. So there’s this sort of boom bap element [on the album]. At the very most today when you get a hip-hop record you can only hope for that one cut that has that “boom bap element”, similar to how what the one radio cut was back in the day, like Brand Nubian’s “Tried To Do Me” or Diamond D “I’m So Confused” song. One token radio cut on a hip-hop record now turned into one Primo cut on a commercial record [in 2008].

Very true

We just wanted to put out an album of bangers because we kind of knew we had to sort of offset the heavy message. I guess if anything probably the hardest thing to do on this record was to put everything in first person perspective. Because normally whenever we did touch something political it was always from a very safe arm’s length third person perspective.

(more…)

talib kweli and strong arm steady – rap city freestyle April 7, 2008

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mos def – pretty dancer April 7, 2008

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the roots – rising down (hum drum) March 19, 2008

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the-roots-rising-down.jpg

rising down album cover

…featuring mos def & styles p

ok so it’s not a full on comeback for mos but it ain’t bad…

lyrics available here 

88 keys interview March 6, 2008

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awesome interview with 88:

DX: How’d you link with Mos and Talib?
88-Keys:
I linked up with Mos through my good friend, Shawn J Period. I used to go to a lot of sessions with The Artifacts, and at the time, Shawn J Period was working with them, and Duro, who’s now “Super-engineer Duro,” who’s recording mixing the album and Platinum Island Studios in New York City. So I would go there and hang out just to get the vibe and see professionals at work, and see what the goings-on was. So Mos would eventually start coming by. It’s funny, because I’d say “What up” to Mos, and he’d say “What’s up,” but he never used to acknowledge me other than the initial meeting. I saw him every now and then, and he would just be in the room, I’d be in the room…we’d stare each other down for like half a second and keep it moving or whatever. So I’m looking at this guy, like, “Oh man, this guy is trying to play me, and he’s a nobody just like me.” So eventually, at the “Stakes Is High” video shoot, Mos was there, and I was trying to get up in the video. Again, I have to repeat, I was a nobody, so ain’t get no love shown this way. I gave Mos a beat tape, back when the actual tape cassettes (were in), with my 30 second beat snippets. He called me a day or two later, and he’s like, “Your shit is dope, your shit is dope.” And the next time I saw him in the studio, it’s pounds all around the room. [Laughs]

DX: Did you record that track in the studio with them?
88-Keys:
That’s a funny story. Kweli picked the beat from me, and he was saying he had an idea for the song, that him and Mos were recording an album together, and that he wanted a song for the album. I’m like, “Cool, let’s do it.” … I’m like, “I’ma hit up Mos, to see what’s good.” Come to find out, Mos didn’t like the beat at all, but he was doing it as a favor for Kweli. I was living with my parents at the time, I had my equipment in the basement in Long Island. These dudes took a cab all the way from Brooklyn—this was foreshadowing of baller status, I should have peeped it back then—but they took a cab all the way from Brooklyn, Kweli had a son who was like one year old at the time, almost in the middle of the night, on some seven o’clock shit. One of my sisters babysat Kweli’s son, and we went to the basement. Kweli already had his verse written, and I had a four-track recorder with a little BS microphone, so I recorded the joint, and after Kweli laid his verse, he explained to Mos what the song was about, and his inspiration for the song was a book called The Bluest Eye. Mos did a complete 180—I don’t even know if he liked the beat at that time still, but he liked Kweli’s rap and how the whole joint came together—so not only did Mos write his verse, but he wrote a 44-bar verse that he was pretty adamant about not shortening it. Me and Kweli are looking at him like, “He’s buggin’. That’s not a 16, Rawkus ain’t havin’ that.Mos was like, “I don’t care. All this is staying.

(more…)

gnarls barkley – who’s gonna save my soul March 3, 2008

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follow the link… http://videos.onsmash.com/v/1VaCzSsZxRiqC8fJ

a reason to look forward to april February 22, 2008

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the roots’ next cd: track by track:

On April 29, the Roots will unveil Rising Down — the latest step in the six-member Philadelphia hip-hop band’s 15-year evolution on record. The darkly funky, politically charged project is now almost done after more than a year of recording, though it is currently missing contributions from planned guest artists Common, Lupe Fiasco, and Q-Tip.

Earlier this week, EW stopped by the Manhattan studio where rapper Tariq ”Black Thought” Trotter, 35, and drummer/producer Ahmir ”?uestlove” Thompson, 37, are working on some final touches, and scored an early listen to the still unsequenced 12-track set.

”RISING DOWN” (possible alternate title: ”Humdrum”) Guest rappers Mos Def and Styles P join Trotter in unleashing a slew of dystopian imagery over heavy, atmospheric synths. ”It’s not an intro, but more an introduction to the topical theme of the album,” Trotter says. ”Mos kicks it off from one perspective. My verse is about global warming and how the world is all haywire. And Styles P is rapping about prescription-drug campaigns, the stuff they advertise on TV, all the crazy side effects. We’re all dealing with different aspects of the state of the world.”

”BLACK’S RECONSTRUCTION” Trotter raps for 75 bars straight on this lyrical exercise, spitting effortless game (”Smooth like the dude Sean Connery was playing”) over a dirty drumbeat and foghorn-like tuba moans. ”It was a first take,” notes Trotter. (Show-off!) ”That’s a song in the tradition of ‘Web’ and ‘Thought @ Work’. It’s become something that die-hard fans check for, that extended freestyle, minimal chorus, hard-hitting lyrical joint.”

88 keys February 10, 2008

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88keys.gif

photo from dork magazine

some new tracks from producer 88 keys‘ soon to be released mixtape – adam’s case files…a warmup for his upcoming album, the death of adam

88 keys – cuddle bums ft. tanya morgan:

88 keys – 21 and over ft. big sean:

88 keys – deal breakers ft. mr. bentley: